The demonstrable rise in self-generated asylum evidence—most typically via social media—is in need of explication. Drawing on cases from ethnographic research in Sweden this article sets out to understand why asylum seekers turn to extreme forms of activity such as filming themselves burning the Quran. It appears that such ‘staged’ evidence is most often born out of a sense of emotional desperation in the face of a stone-wall assessment system which leans heavily towards rejection. To reach this conclusion, however, the article first engages with more traditional asylum ‘scripts’ and roadmaps endorsed and shaped by NGO’s and legal practitioners. The 2015 Migration Crisis in Europe has fundamentally altered the assessment process, not only in its ‘bar-raising’ aspects for positive decisions, but also by reconfiguring the very form and structure of evidence presented.

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